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SAHA provided publication support for Volkan Kızıltunç's book titled "Sonder", which was prepared in the context of the exhibition Volkan Kızıltunç & August Sander - The Look, held at Haifa Art Museum between 10 February - 25 June 2022. Sonder tries to shed light on the gaps in memory revealed through photography. The book is a compilation of macro photographs of 8mm and super 8mm films shot in Turkey, the Netherlands, Germany, Austria, the USA, Italy, Israel and the UK in the 1960s, 70s and 80s.
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SAHA provided publication support for Sena Başöz's book titled "Riverbed" a companion to her project titled Ars Oblivionis, which she realized in Lotsremark Projekte in 2020. Sena Başöz’s Riverbed builds on interviews she conducted with migrants and archivists in Basel. These conversations are set against a fictional end-of-the-world scenario inspired by current catastrophic trends. Using the river as a metaphor for memory in flux, she asks: “What would remain if the river Rhine stopped flowing? What would you want to keep?”
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Within the scope of the SAHA Sustainability Fund: Covid-19, SAHA provided publication support for Çınar Eslek’s book, titled KRAASANAB. Designed as a photo novel, with Çınar Eslek’s illustrations and Yekhan Pınarlıgil’s words, it is a dream book “ between dream and nightmare, right in the middle of the battle between reverie and reality”.
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SAHA provided publication support for the comprehensive monography accompanying Füsun Onur's installation Once Upon a Time, curated by Bige Örer, for the Pavilion of Turkey at the 59th International Art Exhibition, Venice Biennale. Co-edited by Bige Örer and Nilüfer Şaşmazer, the publication details almost all of her works, while it also includes twenty-six new essays by essential figures in the art world such as Anne Barlow, Carolyn Christov-Bakargiev, Defne Ayas, İz Öztat, Hera Büyüktaşçıyan, Leyla Gediz and Iwona Blazwick.
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The accompanying publication to Rüzgar ’s exhibition held in Grimmwelt Kassel with the same title. My Name Was Written On Every Page comprises a cross-section of highly expressive works consisting of paintings and drawings in which Rüzgar turns time and again to myths and legends to address the cultural and social conditions of being a woman in a misogynistic environment. Edited by Peter Stohler and Christina Soose, including Curator Kevser Güler’s text, the publication available in German, Turkish, and English.
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SAHA provided publication support for Erol Viron Vert’s new book titled Family Matters: Conversations About Old Spirits, the Question of Belonging, and Complementary Spaces.Edited by Kristina Kramer and Didem Yazıcı, the book documents the cross-section of Erol Iron Vert’s works that have been created between the metropolises of Berlin, Istanbul, and Athens.
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SAHA provided support for the accompanying publication by Kerem Ozan Bayraktar’s installation ‘‘Spirits on the Ground’’ realized at SAHA Studio and showed during the open studio days in March - December 2020 term. The book includes texts written by Yağız Özgen and Zeynep Sayın.
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SAHA provided publication support to Elif Öner and Evrim Kavcar’s joint project. “A Dictionary of Sensitive Sounds”, a multiform, polyphonic, participatory project tracing the subjective, social and cultural layers of sound, by artists Elif Öner and Evrim Kavcar, is published through SAHA Sustainability Fund: Covid-19.
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SAHA provided support for the publication produced in the context of Nilbar Güreş's solo exhibition "Sour as a Lemon" held at Kunsthaus Pasquart on April 17 - June 13, 2021. The publication, prepared in English, German and French, includes a text by Pierre Bal Blanc and a comprehensive interview with the artist.
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SAHA provided publication support to Dilşad Aladağ and Eda Aslan's project "Unutma Bahçesi". The publication, titled Bir Yerin İzinde Pek Çok Yer, focuses on the Alfred Heilbronn Botanical Garden, which they visited during the "Unutma Bahçesi" project research, and consists of articles written on the relationship of space with stories and people.
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SAHA had provided support for the participation of curator Naz Kocadere who was invited to de Appel 2019/2020 Curatorial Programme through an open call. The project was completed after a 10-month working process with a publication this year by 6 international participants, which was imagined as a printed exhibition instead of a physical exhibition due to the outbreak of covid-19. In the project curated by Thomas Butler, Sharmyn Cruz Rivera, Juan Fernando López, Iris Ferrer, Danai Giannoglou and Naz Kocadere, the works of the participant artists are presented as a limited edition publication under the title This may or may not be a true story or a lesson in resistance.
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SAHA supported Barış Acar’s book titled Ekphrasis Triology, in collaboration with Neuer Wiener Diwan. Ekphrasis Triology is an attempt to keep an archive of contemporary art history of Turkey, investigating the local reflections of international debates on art theory.
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Borga Kantürk’s SAHA Studio project “Library of Short Distances” is accompanied by “Book of Short Distances,” which is a set of books in the form of three booklets that can be experienced in connection with each other or separately.
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Gülşah Mursaloğlu's SAHA Studio project Dear Laurie, Dear Gülşah is a publication that brings together the correspondence between A. Laurie Palmer and Gülşah Mursaloğlu across distant geographies from April to September 2020.
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SAHA provided publication support to Nil Yalter’s solo show “Exile is a Hard Job,” her first major retrospective, at Museum Ludwig, held between March 9 – June 2, 2019.
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SAHA provided production and publication support for İnci Eviner’s “We, Elsewhere,” held in the Pavilion of Turkey at the 58th International Art Exhibition, La Biennale di Venezia between the dates 11 May–24 November 2019.
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SAHA provided publication support for Banu Cennetoğlu’s exhibition at the Sculpture Center, the artist's first solo show in the United States, held between January 14 and March 25, 2019.
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SAHA provided support for the production of Fatma Bucak’s new publication, “I must say a word about fear,” published on the occasion of the exhibition by the same name, held between 7 November 2014–12 January 2015 at Castello di Rivoli.
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