VIVIAN CROCKETT

Vivian Crockett is the Allen and Lola Goldring Curator at the New Museum. Since joining the Museum, Crockett has curated exhibitions by KING COBRA (documented as Doreen Lynette Garner), Wangechi Mutu, Tuan Andrew Nguyen, and Puppies Puppies (Jade Guanaro Kuriki-Olivo). Together with Isabella Rjeille, Crockett will co-curate the 2026 New Museum Triennial. Previously, she was the Nancy and Tim Hanley Assistant Curator of Contemporary Art at the Dallas Museum of Art, a Joan Tisch Teaching Fellow at the Whitney Museum of American Art, and an Andrew W. Mellon Museum Research Consortium Fellow in the department of Media and Performance Art at the Museum of Modern Art. She has worked as a research associate at the San Francisco Museum of Modern Art and as an independent curator with organizations including Visual AIDS, for whom she co-curated the 2017 Day With(out) Art: Alternate Endings, Radical Beginnings. Crockett holds a BA in art history from Stanford University and a PhD in art history from Columbia University.

ISABELLA RJEILLE

Isabella Rjeille is a curator, writer, and editor. She is currently a Curator at the Museu de Arte de São Paulo Assis Chateaubriand (MASP), where she began working as a Curatorial Assistant in 2016. At MASP, she has curated and co-curated group and solo exhibitions, such as “Feminist Histories: Artists After 2000” (2019) and recently "Melissa Cody: Webbed Skies" (co-organized with MoMA PS1 and co-curated with Ruba Katrib) (2023-24). Previously, she worked at the Fundação Bienal de São Paulo and was a Curatorial Assistant at the 32nd Bienal de São Paulo. She is co-Curator alongside Vivian Crockett of the 2026 edition of the New Museum Triennial.